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Kate Beckett Susan Sullivan Martha Rodgers credit only Jon Huertas Javier Esposito Seamus Dever Kevin Ryan Tamala Jones Lanie Parish Molly C.
Captain Victoria Gates Richard Burgi Charlie Turner Eric Ladin Daniel Sullivan Laura Regan Rebecca Siegal Jeffrey Vincent Parise Tom Moretti David Figlioli Ralph Marino Ashley Wood Amber Lively Susie Castillo Edit Did You Know?
Trivia The episode title references the Elvis Presley song of the same name. When Castle, Ryan, and Esposito are thrown out of the casino in Atlantic City, they sneak back in wearing Elvis disguises.
Goofs When the boys are told they're going to Atlantic City, Ryan checks his watch. The next time we see him, he checks his watch again.
Quotes [ first lines ] [ as Castle, wearing an Elvis costume, is dragged into a room where a man is holding a baseball bat ] Charlie Turner: You were told what would happen if you came back here.
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First Captain Marvel trailer is here Get hyped: As far as I know, Lt. Hans von Witzland is one of the few films where Thomas Kretschmann played his star roles.
The fact puzzles me deeply. I believe Thomas Kretschmann deserves better parts and much better screenplays than those he is given in Hollywood.
I mean of course those who are supposed to be Russian. Say, the boy who spent some time with the Germans or the girl with whom they planned to escape.
Was it really so difficult to find actors able to pronounce a couple of phrases without that horrible accent? I did not expect anything extraordinary of the film.
For the main criticisms of the movie Those were two people distraught coming together trying to find humanity in ANYone. The same thing happened with soldiers and the Russian boy.
It added a feminine touch, but come on look at American movies There was no storyline: I think that is a silly criticism. The storyline is this.
They start with men and the movie narrowed down to show the lives of about 10 men and how each did their part and died.
Death is the ultimate end to any story. Just because there was no happy ending doesn't mean it has no storyline. There was a horrid truth in this movie.
I wouldn't necessarily call it "anti-war". It had a political statement of course, but the movie wasn't all about the politics. In fact, except for a few occurrences when the Captain?
They were far enough out of the reach of the main Nazi party. The fat cats weren't gonna go into Russia! Maybe not completely accurate and not a Hollywood hit, but it exhibits a fine knowledge of the common soldier I'd say exactly of almost any nationality and war and what they must go through.
It was a losing battle, of course the movie is going to be depressing. And to the person who said that it was gutsy and silly to even portray Germans as victims: This movie is a fine balance between movie and documentary.
A few problems with it when arguing for just one, but it instills the best of both worlds. Watch it as such. Beware however because it is a hard movie to watch if not graphically, emotionally.
I'm waiting til they make a movie about Iraq. It will probably have many of the same themes and will be very controversial, I want to see who has the guts to do it first.
There can be no real victors in war if we value human life at all. That so many German and Russian boys should die in the snow-bound wilderness around Stalingrad is a tragedy beyond comprehension.
The camera crew did a great job in bringing to the screen the vastness of Russia with soldiers camouflaged in white struggling on the point of death across frozen landscapes.
Far from home and missing their loved ones the German soldiers are depicted as rough diamonds with kind hearts sharing their last crust of bread with starving Russian children.
The over-all German plan is to take certain cities important in the flow of oil and supply of food to the Russian enemy, but their plans are thwarted when the Russian armies encircle them.
The close fighting is well filmed with lots of explosions, flames and shattered bodies among fallen masonry. I liked particularly the contrast of the opening scenes in sunny Porto Cervo where the Germans are celebrating their recent victories with the tragic scenes which followed when calamity overtakes them.
I thought too that the three struggling figures exhausted in defeat symbolised the horrific loss of human life and the futility of war.
While none of the actors shone above the others, their characterisations were adequate enough though I got somewhat confused with such a large cast and all the same uniforms.
The lasting impression is not with individual performances but with the over-all mood of this tragic event captured superbly under expert direction.
One soldier says to another: This film is one of the historically most accurate war films ever made in that it displays the reality of soldiers in a battle situation as well as the particular circumstances of the Battle of Stalingrad, obvious when one compares this film to works such as Anthony Beevor's book "Stalingrad".
Although filmed by Germans, "Stalingrad" is anything but a nationalistic apologetic film. It shows that war films can be something beyond flag-waving, jingoistic distortions of the grim truth of war, like so many Hollywood "war" products seem to be.
The scripting, acting, direction and other film techniques in "Stlingrad" are of the highest caliber. It's a must-see film for anyone contemplating to join an army and to obey orders from any type of "Fuehrer".
Steed 3 September An anti-war film it may be, but "die Brücke" by Bernhard Wicki still has far more impact. It also noteworthy that the film concentrates on the German soldiers only and hardly shows anything on the Russian side.
Compare this, if you have ever the opportunity, to what 6 German ex-soldiers tell about their experiences at the Russian front in the documentary "Mein Krieg" by Harriet Eder and Thomas Kufus q.
I certainly do not want to suggest that Vilsmaier excuses the war or worse , but he does not succeed in incorporating the socio-political situation, if he had ever the intention to do so..
There are surely impressive scenes short truce in the plant; attack of Russian tanks, shooting of Russian civilians e.
But on the minus side: If we compare the movie industry with an ocean, we have the tendencies to observe only the surface.
But underneath the splashy waves grow in silence, from time to time, less known pearls. When you pick one and look carefully at it, you wonder why this pearl lie almost unknown and why it's not already on the crown.
Why, it has a bunch of multi-million dollars rated actors? It have thousand of extras? It have breathtaking, spectacular, shiny computerized visual effects?.
So, what's so special? Well, in one word, it's pure past reality recreated and transposed to celluloid fifty years later. The tragedy of the most bloody battle in the history is here.
Filthy, wounded soldiers, Russian civilians who lost everything during the invasion, burning villages, collapsing buildings, decayed suburbs, gunfires, explosions, tanks in flames, soldiers shot, burned alive, ground by tanks in their pits or shred to pieces - you got all.
But the real horror is elsewhere. People are reduced to simple pawns, without the power to change anything. The soldiers we follow in film try to leave the combat zone and they fail.
The civilians stay in prostration in the middle of nowhere, only crying for their children killed. Mercyless, the huge grinding machine of war melt together humans, equipment, villages, cities - and ask for more victims and destruction, over and over.
In all this collective insanity a group of German soldiers struggle to survive and to keep at least a minimum level of normality. They do their duty and fight bravely.
But, as everyone know, a battle is almost lost when people start to loose confidence and faith. We see how all those people are abandoned, how they plan to desert, how they struggle to catch the very last plane to Berlin full of wounded , how some very bad injured soldiers were treated as simulants and shot, how they were forced to execute a small group of Russian civilians, including a young boy, how they later discovered a place literally full up to the ceiling of food and drinks - destined only for some "superior" officers, of course.
One by one, they drop dead. The end of the movie is one of the most bitter, depressing and touching ending I ever saw, all on the magnificent score of The Munich Philarmonic Orchestra.
The war destroyed everything in its path. This movie is a must-see for everyone. The strong anti-war message must be a warning for all of us.
Unfortunately, the mankind never learn, nor the politicians. Self-destruction is in our DNA and the human pain seem to last forever.
The realities of loading both weapons Never jocular when close combat 'is' the reality. Doc Tony 17 December The movie's essence was delivered by one of the German soldier's comments after taking the building [in Stalingrad], " Stalingrad shows the gut wrenching non-glory side of the nitty-gritty of combat and brings home to those who have been there the non guffaw when you hear, and see, how one soldier loads both his weapon Stalingrad shows well the realities of close combat and what the cumulative experience can do and often does to the human psyche.
I would concur with the other reviewers in terms of Stalingrad incorporating the best, that is to say, the reality of Das Boot and Platoon 'sans' the hype when the business at hand becomes one of your basic kill or be killed.
More than a war flick jcf30 13 December Many of the criticisms levied at this film by other IMDb users take issue with conventional aspects of film-making - and I agree with them.
It's true, Stalingrad does offer little that's new in terms of character, screenplay, visuals. And yes, any war buffs coming to this film in hope of some depiction of the battle's broader strategic context will be disappointed.
To those people I recommend Antony Beevor's highly readable book, 'Stalingrad'. Viewed from a straightforward standpoint, Stalingrad is a pretty compelling war film that is nevertheless a league below US celluloid depictions of the battlefield: And yes, its ending is something of a wimp-out.
This, don't underestimate it, is important. At no stage is this a Nazi-apologist film. In fact, its over-willingness to be Nazi-condemnatory is what makes much of its dialogue and scenes weak.
But no matter whether you find it tame or not, you do eject this one from the VHS or DVD tray thinking "poor b--tards".
As the Holocaust, through the global ceremony of Holocaust Day on January 27 and through the power of global films like Spielberg's Schindler's List, becomes transported away from a specific time and place into a world parable of evil, so we are able to reappraise the role of the German soldier as victim.
What attitude you take to this question is your affair - Vilsmaier's film is important for daring to raise it in the first place.
The film is about the battle of Stalingrad. For those of you who don't know anything about it, it was the worst battle in the Second World War.
Over 1 million people died in the course of the battle. This is the only film that I've seen that seems to have actually captured how bad things were in the war between Russia and Germany.
What I really liked about it is that the two ideologies Nazism and Communism were nowhere in the film. Unlike most American films, the Germans are not seen as blood thirsty murderers, but what the average German foot soldier was, a person.
The film revolves around four soldiers fighting in Stalingrad. They were transferred there to try and take the city. The film follows these men from August of to early During this time, they learn about the horrors of war and try to find a way out of the battle.
Through the entire film, one feels the desperation of the entire battle. Unlike "Enemy at the Gates" the film makers didn't try to put some sappy love story or dress up factual occurrences of the battle.
This film may be fiction, but it conveys what happened in the bloodiest battle in World War II. Manstein 10 October From a military historian's standpoint, nearly everything in this movie is historically accurate.
Beyond that, it is an enthralling story that leaves you depressed at the end but quite glad you took the time to watch. I would daresay this is a better war film than 'The Schindler's list'.
We have seen many war films from the point of views of Russians, Jews, Poles etc. But this was my first world war 2 movie seen from a German soldier's point of view.
The film starts when a battalion of German soldiers are ordered to go to Stalingrad. When they think about going to Stalingrad, they think of farms and greenery but when they reach Stalingrad, the truth is far different than the reality.
The German soldiers think they could win Russia within a month, their very notion turns into disbelief as they enter Stalingrad, and see thousands of wounded German soldiers.
Stalingrad war was indeed the biggest mistake of Germany, and it proved the beginning of the end for Germany, and resurrection of Russia. One thing I always wondered as a child, when a war is waged why there is no confusion, how always a particular army perfectly distinguishes its soldiers from the opponents'.
In the very beginning, when Germans invade Stalingrad, we see a massive confusion within the battalion and a German soldier inadvertently kills his fellow soldier.
As you may do research, you will find that there was a huge chaos during the world war 2 and such incidents occurred.
One thing that the director wants to convey is that all the German soldiers were not blood grubbing monsters, even they were tired of killing other people, even they wanted to go home.
But they had no options, if they didn't kill , they would have been killed by their superiors. This thing is evident when a young Russian boy is captured by the German army, and the soldiers who are protagonists in the movie are told to shoot the boy with dozens of other people.
They are reluctant to shoot the boy, but their fascist superior warns them that if they didn't shoot those civilians, they would be next in queue.
Stalingrad is an attempt by the director to earn some sympathy for the German soldiers, who were always seen as culprits, but this film shows they were victims too.
I don't want to get into the war crimes that Germans committed in Russia and other nations, but when you view a film you have to see it impartially.
At the very outset of the film, it is very much clear that you are not going to see a happy end as you see in Hollywood. This film makes 'Enemy at the gates' look a very cheap film which is far from reality, as it creates Rachel Weisz's character in the film.
This film is not for the people who want to see war films just for the sake of explosions and killings of people.
We see scenes in the film where a German soldier shares his bread with a civilian, and also in the end when the Hans Von Witzland refuses to rape a helpless Russian female soldier.
This film tells us about the fate of the soldiers who were stuck there and knew what was coming to them. In fact, this movie tells us about the harsh reality of war and it tells that the war is always bad, and there is no winner in a war.
This film doesn't show that Russians were bad despite being a German film, nor it shows that Germans were heroes, but still makes its point of earning sympathy for all the soldiers who lost their lives in the battle of Stalingrad.
Dwolvesbane 15 December Describing Stalingrad as a war film may be a bit inaccurate. Yes it contains action scenes depicting bitter battles and terrible destruction.
The visceral storytelling and harsh images though make it something more than a war film, even more than an anti-war film. Stalingrad is instead a film about absolute and undeniable hell.
The film is fraught with visual descriptions of the worst kind of war, one that is intensely personal and close, where days are spent in taking one city block, only to have it re-taken in a surprise assault.
The early form of modern urban warfare that the Germans came to call Rattenkrieg Rat Warfare is depicted in brutal and uncompromising terms.
The characters war in sewer tunnels, rail yards, and from building to building in the hellish bomb-scape of ruined Stalingrad, only to be defeated by the unforgiving Russian winter.
The film deals with the issue of Nazism and the vilification of Germans in that period in the way that many other films from both Germany and the rest of the world do.
Its characters are a group of soldiers swept along by the winds of war and simply attempting to make it out with themselves and as many of their comrades as possible alive.
The characters do not fight the Soviets out of any ideological hatred between National Socialism and Soviet Communism, not for any grand dream of Grossdeutschland or racial superiority.
They fight only because if they do not the enemy will kill them, and if the enemy does not then their own officers certainly will for refusing to fight.
This portrayal adds another layer to the suffocating envelope of trapped hopelessness that pervades the film. A sort of ground based companion to Das Boot, Stalingrad frames the epic struggle of World War Two in a personal light and from the unexpected perspective of the ordinary German soldier as a sort of hero made tragic by circumstance and a brutal government that would pervert his sacrifice.
Apart from the low budget, there never seems to be more than 50 Germans in one scene at any one time, plus the same 2 half tracks, this film is absolute top class.
That is the point, I think, from the uniforms to to the horror and the disillusionment. Everyone is as grey as the field grey uniforms.
Grey men with the life drained out of them. This is one of the best war films ever. Only Cross of Iron beats this for tension and story.
Without having to pay ridiculous import charges from Europe. Most other DVD's are multilingual. Why not this one? Uriah43 17 April A battalion of German soldiers from the Afrika Corps are spending some time at an Italian port during the summer of At that particular time their spirits were high as the German army was in the process of advancing victoriously into Russia.
But all that was subject to change as their next assignment would be: And they had no idea what was in store for them. At any rate, told from the German perspective, this film does a remarkable job of showing the hardships and tragedy these soldiers had to endure.
Despite proving themselves in battle, their courage and discipline was being tested as much by the Russian winter as it was their Russian foes.
And yet they continued on all the same. Now, while everybody knows how this battle eventually played out, this movie allows the viewer to gain a unique understanding of how it may have appeared through the eyes of the German soldier.
Definitely worth a watch for those who can appreciate a film of this type. A brief history of the facts behind this film have been well stated: It took place between 17 July and 2 February , and is often cited as the turning point of the war in Europe.
The German offensive to take Stalingrad, the battle inside the city and the Soviet counter-offensive--which eventually trapped and destroyed the German 6th Army and other Axis forces around the city--was the first substantial German land defeat of the war.
The battle involved more participants than any other on the Eastern Front, and was marked by its brutality and disregard for military and civilian casualties by both sides.
It was amongst the bloodiest in the history of warfare, with the upper estimates of combined casualties coming to nearly two million.